Tinashe - Aquarius

There is no point to focus on a fresh r'n'b album, without ending up with comparisons with things you have listened to in the past twenty years. Let's be honest, there is no "new sound" in contemporary r'n'b, unless you are Janelle Monae or FKA Twigs or at least Miguel. The majority of all the neo-soul, post-dubstep, electronic-soul, rap-sung, hip-hop albums out there have probably the same 808 kicks and synth pads from the same laptop. So which is the x-factor that makes a Beyonce or a Jessie Ware album brilliant, but a Chris Brown or a Robin Thicke album simply boring?

That x-factor is called "personality". It's easy to state the obvious and say "But, come on, Rihanna has a big personality and does her own thing and does not give a fuck, blah, bluh, bleh...". That's true. But what have all these No 1 artists done so that they don't record the same tracks over and over again with different lyrics and tempo? How many of them have taken the leap of faith and risk their beauty or their voice or even their fanbase, in order to create something they can call their own and not the industry's? Well, to sum up, Tinashe could have been the new Ciara or the new Rihanna or even the new Christina. But she is not. Because she has taken that leap of faith, the same that Janelle and Jessie and Twigs have taken in the past few years. Plus, she is hot, but this is not the case.

"Aquarius" is an album that makes you dance, makes you have sex, makes you wet, makes you notice the production and the powerful Mariah-esque vocals, makes you push the "repeat" button, makes you addicted to it and its performer charms. Tinashe has mentioned that her favorite album of hers is "The Velvet Rope" by Janet Jackson. And this is actually the best comparison as far as this album is concerned. It's as old-fashioned as Janet's smooth and soulful music, but at the same time the singer embraces the new era, thus being edgy, angry, hip and 2015.

"Bet", probably the strongest mid-tempo song in the project, gives Beyonce and Solange a reason to sue Blood Orange for not delivering the demo to their managers. "2 on", the first single of the album, is as urban as it can be and a top-30 hit in the Billboard Hot 100. In "All hands on deck" Tinashe delivers a solid vocal performance, accompanied by a flute loop, a raw bassline and some killer synths, while "Far side of the moon" is a track that even the duo of Timbaland/Justin could be jealous of.

If you are a fan of the r'n'b genre, you will adore this album if you haven't already. Tinashe should be the biggest female act of 2015 if there's any music justice out there. And if there's not, oh well... let's count on the Universe's poetic one.

AnArtCalled... 9,5/10

Hozier - Hozier

From recording his first full-length album to performing live on SNL two weeks ago, Hozier has made a flying leap across the ocean, thus convincing the US audience to buy his songs. With soulful/bluesy vocals and lyrics inspired by the singer's some kind of pagan poetry, "Hozier" is a weird case of a crossover irish album you just don't expect it to work. But it works. And it works just fine.

His first single, "Take me to church", received much hype around the internet and Kiesza covered the song with her beautiful voice, but it wasn't until the singer appeared on the american television that changed everything. The album debuted at No 2 on Billboard 200 and Hozier became a star in half an hour.

Although he is an exceptional songwriter, some songs here are actually boring. But then again, that's not the case, because, as I wrote before, the album works just fine. Dark lyrics accompanied by guitars and gospel choirs, love stories and dramas, Hozier's countryside hometown, Wicklow Hills - all these are the materials of an album that could possibly give birth to a new music genre, the "Irish blues" or something (Kudos must also go to the producer, Rob Kirwan).

The best songs in here are loaded in the first half of the album ("Angel Of Small Death And The Codeine Scene", "From Eden", "Jackie And Wilson", "Sedated"), leaving the second half being responsible for the boredom factor. But the thing with Hozier is that even when you are bored, you can appreciate his musicianship and his ability to create his own vintage sound. That actually reminds me of Bon Iver, so applied mathematics (?) leads me to the conclusion that Hozier will win the Grammy Award in the Best New Artist category. Just guessing...

AnArtCalled... 8,5/10