The Queen of hip-hop/soul visited London earlier in 2014, in order to record maybe her best album to date since the release of "No More Drama" in 2001. I have no clue if the producers in the UK believed in her and just knew what she is capable of or if Mary J Blige just trusted her gut feelings and collaborated with a bunch of young and super-talented songwriters. Well, probably both. Anyhow, the results are simply extraordinary.
Anyone can assume that a new project by Mary J would be a list of uptempo soulful tracks combined with killer vocals. Well, you can count only on the second part. Because most of the songs here are written and produced by the house duo of Disclosure, the male version of Adele, Sam Smith, the person that has produced records for Florence and Adele, Eg White, and the UK's sweetheart, Emeli Sande. So, actually, the sound in "The London Sessions" is far from a Diddy or a Dre or even a Neptunes piece of work.
Everyone can relate to some drama songs, especially when they are sung by miss Mary J. No woman in the music industry can "hurt" her vocal chords like her, so that she makes you feel her pain. Thus, songs like "Therapy", "Not Loving You" and "Whole Damn Year" are all about breakups, crying, pianos and heavy songwriting by Sam Smith and Emeli Sande. The thing with this album, though, is that it's also a lot of fun. Disclosure and Rodney Jerkins have contributed their talents in tracks like "Follow", "Right Now" and "My Loving", creating an electronic, deep house profile for the singer, which is so unexpected and fascinating at the same time.
If you are a long time fan of Mary J Blige, then it's possible that you won't appreciate this effort. Or, at least, you won't cry that much. Smart move, you have to admit it. She recorded a great album with a european touch for a change, so that she can come back in a couple of years with some big drama songs, expanding this way her drama legacy. Kudos.
AnArtCalled... 8/10
Anyone can assume that a new project by Mary J would be a list of uptempo soulful tracks combined with killer vocals. Well, you can count only on the second part. Because most of the songs here are written and produced by the house duo of Disclosure, the male version of Adele, Sam Smith, the person that has produced records for Florence and Adele, Eg White, and the UK's sweetheart, Emeli Sande. So, actually, the sound in "The London Sessions" is far from a Diddy or a Dre or even a Neptunes piece of work.
Everyone can relate to some drama songs, especially when they are sung by miss Mary J. No woman in the music industry can "hurt" her vocal chords like her, so that she makes you feel her pain. Thus, songs like "Therapy", "Not Loving You" and "Whole Damn Year" are all about breakups, crying, pianos and heavy songwriting by Sam Smith and Emeli Sande. The thing with this album, though, is that it's also a lot of fun. Disclosure and Rodney Jerkins have contributed their talents in tracks like "Follow", "Right Now" and "My Loving", creating an electronic, deep house profile for the singer, which is so unexpected and fascinating at the same time.
If you are a long time fan of Mary J Blige, then it's possible that you won't appreciate this effort. Or, at least, you won't cry that much. Smart move, you have to admit it. She recorded a great album with a european touch for a change, so that she can come back in a couple of years with some big drama songs, expanding this way her drama legacy. Kudos.
AnArtCalled... 8/10
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